影片名称：镜子的另一面：纽波特民歌艺术节1963~1965

影片副标题：jingzidelingyimianniubotemingeyishujie19631965

上映时间：未知年

国家/地区：美国

影片语言：英语

豆瓣评分：8.0

影片类型：剧情

影片导演：Murray Lerner

影片主演：Bob Dylan , Joan Baez , Judy Collins

总播放次数：283 次

入库更新时间：1667315331

Murray Lerner导演执导的《镜子的另一面：纽波特民歌艺术节1963~1965》，2007-12-07上映至今获得了不错的口碑，由Bob Dylan , Joan Baez , Judy Collins等主演的一部不错的英语剧情。

镜子的另一面：纽波特民歌艺术节1963~1965的剧情："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock

《镜子的另一面：纽波特民歌艺术节1963~1965》在美国发行飘花电影网收集了《镜子的另一面：纽波特民歌艺术节1963~1965》pc网页端在线观看、手机mp4免费观看、高清云播放等资源，如果你有更好更快的资源请联系飘花电影网。

（本剧情介绍由飘花电影网喜欢看英语剧情视频的天天编辑，更多相关信息可移步至豆瓣电影、电视猫或剧情网等平台了解）

1.请问哪个平台可以免费在线观看英语剧情《镜子的另一面：纽波特民歌艺术节1963~1965》？

电影天堂网网友：《镜子的另一面：纽波特民歌艺术节1963~1965》免vip在线观看地址 http://www.kahlercom.com/piaohuavd-171288.html

2.《镜子的另一面：纽波特民歌艺术节1963~1965》是什么时候上映/什么时候开播的？

星空影院网友：未知年，详细日期可以去百度百科查一查。

3.《镜子的另一面：纽波特民歌艺术节1963~1965》都有哪些演员？

爱奇艺网友：Bob Dylan , Joan Baez , Judy Collins

4.日韩动漫《镜子的另一面：纽波特民歌艺术节1963~1965》详细介绍？

电影吧网友：现在是"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

5.手机版免费在线点播《镜子的另一面：纽波特民歌艺术节1963~1965》有哪些网站？

腾讯视频网友：影视大全、66影视、飘花电影网

6.《镜子的另一面：纽波特民歌艺术节1963~1965》评价怎么样？

丢豆网网友评论：Murray Lerner导演的作品，有欢笑、有泪水、有喜悦、有悲伤...，虚拟世界中的感情是多彩的，并不同于我们现实中不爽就一直玩的感觉，虚拟感情的交错，当看完之后会觉得更加舒畅。

豆瓣电影网友：《镜子的另一面：纽波特民歌艺术节1963~1965》不同于其他作品，没有紧迫感、虚浮的情节及杂乱的画面，却在不断教导我们，不像老师家长苦口婆心语重心长的教诲(为遵重在这里我省略掉啰嗦这词)。我们看电影电视剧亦或综艺动漫，往往是融入进去，在不知不觉中去了解这些似乎不容易被我们所发现、所理解的道理。再说近一点，看视频时设身处地会发现这是现实中更近教导的教导！

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